"do boond paani' vs the flood

Uma is in the hiding, as far as I am concerned. I am getting in touch with her on alternate days, during noon time. She certainly responds. Still, she 's hiding !


But the response is not as it has been earlier. To all my queries, and naughty questions, she laughs. She, it seems, have lost something... something which she had in abundance ... and now it's just missing !
You might have noted that it's over a month that I had posted anything here. Though I am very much here, I was not able to make any posts. Just because I don't feel the kick ... in the absence of any motivators ! 
Uma has been my motivator, the driving force, behind every post here. Be it a "lathi adi" , a picture, or just a comment. These days, unfortunately, Uma gives me no prompts at all. To all my chat,  she uses the minimum of words and more of a smile (or a lean laugh, as I could hear only that).  


While she was here, (and when she landed with me), she was in her emotional deserts. She has been in search of "do boond paani " (two drops of water) to quench her thirst. Then on, she could quench her thirst any moment she felt thirsty. Afterall, for her, it was just taking and sipping... not even asking for it. She had a reservoir of the 'paani' with her. I am happy I could be her sweet drink, for all these months (not years ).


Now, Uma is in the midst of a lake.. she could drink and drink and could get drowned. She, it seems is drowning ... in the lake of her new partner. That's the reason for her weak responses. After all, any girl (lady) is like that. May be, thirst for a different taste should buldup ... and then the responses may change for the better.

Let me close here with the  news that Padma and Vasu are planning to be here sometime during the Christmas holidays. May be for a day or two, Padma is to consult her Ayurvedic doctor here. I wish the Doctor prescribes a month's treatment for her here. I would be happy with the scenic pleasures (atleast). 




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Antareeyam .... അന്തരീയം

Uma is not aware of the new developments here. But for an SMS I got last day, she is not keeping in touch .
In the mean time, here is a blog titled "Antareeyam" ( അന്തരീയം ), that may interest you. It deals with the undergarments of Kerala, both traditional and modern. I suggest that you may visit this blog.  It's interesting to read through . That would certainly be interesting for all.


http://www.antareeyam.blogspot.com/

I shall get back to you with more Uma news.

Mallumundu Thorthu, and Pantaar

Uma, is yet to return to her chat mode with me. But she promised me that she'll mange to come back to the track (with me). She must be in the hangover of her marital experiences ! that too everyday !! That's why she hasn't called

me since our last chat a week ago. OK...OK... I"ll wait ... Patience pays !!

In the mean time,  I am supposed to answer to two queries from my readers.

First one is, about the use of 'mallumundu' for thaar, in central Kerala.  Yes, I am aware of that. However, I don't suggest mallumundu sice it has some sort of fineness (or polished texture) which would not satisfy the "endurance requirements" of thaar. (That is, once worn, it should keep tight for long, until next removal ). Moreover, mallu cloth is not as absorbent as the thorthu or onnaramundu. The best would be to use thaar thorthu (of the type I've shown earlier). That's fairly soft, absorbant, and retains the tightness.

Next point is regarding use of thorthu for thaar, and the need to keep it as short as a panty !.  I think the lady asking me about this refers to the thaar thorthu I have mentioned above (and not the thorthu for bathing type ). But her problem is wearing it 'short' (as a panty). The regular sized one would have its tip down below the knees (for normal body size). If your requirement is to keep it short above the knee level, there are atleast two solutions.

One is to make some 'churukku' (ചുരുക്കു)  at waist, and then do the thaar, so that the conical tip doesn't extend beyond the knee.  But the waist band area would look thick.

The other option is to get a smaller sized thorthu. But this may not be lengthy enough to do the thaar. ( the width of the thorthu is critical for wearing the thaar).

In the absence of exact solutions, I think I must consult Uma, for a better solution. I'll be back on this issue, once Uma rebulds the chat track.

But this makes me innovate ...!  Why not I design a "new thaar" ... with the characteristics of the classical thaar but the size of a panty ! Yeah... that would be a wonderful  garment. Let's call it "pantaar" ! Or you may suggest one !

{ mallumundu is not mallu's mundu ! }

Crossing the limits ?

Uma once told me that I am trying to cross the limits of the presentation stuff in this blog. I just laughed it off. However, now I am a bit doubtful as to whether I really am crossing the borders.
I am talking about the nature of content. I am not for any pornography here ( although I do enjoy that). But, I am presenting "Adult material". And that's why I did provide that filter for this blog. 
What made me to rethink on this is a comment from a reader that "women may not like to come to this blog, as it contains 'very hot' stuff ". Oh ... !

I am aware that some of the posts are a bit hot. However, I did not make any attempt to make this any "hard core".
How it all came up is ... my relationship with Uma. We had , as you know by this time, a very intimate relationship. I thought of sharing some warm feelings with you all. That's how I started it all. 

But now, I have decided to review my posts again, and remove "very hot materials", if any. But, as you know, I must keep my posts quite warm (though not hot ! ). That will necessitate some "adult materials".


And, where is the border ? Between warm and hot ? Between hot and very hot ? It's all quite fuzzy .. !  But I know the borders between warm and very hot ! I shall try to maintain the warmth.


In the mean time, may I request my readers to comment on this aspect.

Kamaladalam

Uma would like to listen this story from me. But, since she is not here, I decided to share my experience (of those days ! ) with you all.
I hope you remember Kamala. This is one of my experiences with her... which I cannot forget ever.

IaeZfw

Iae Fs¶bpw Iq«n ]SnIÄ Cd§n. ]Sn¸pc IS¶v CSs¯m­nte¡p Xncnªp. GXm\pw NphSpIÄ \S¶n«v Xncnªp \n¶p; Fsâ ap¶ntebv¡v, Rm\pw \n¶p. F´n\v F¶v F\nbv¡p a\ÊnembnÃ.

" F´m...."Rm³ tNmZn¨p. Iae Nncn¨psIm­v Fsâ c­p IhnfpIfnepw hncepIÄ കൊണ്ട്­v ]nSn¨p. "Iffm.... \o Bfp tamianÃtÃm....". B IhnÄ Ingp¡Â GXm\pw \nanj§Ä \o­p.....". \o C\ow thWsa¶p ]dbpthm..."Iae tNmZn¨p. F\nbv¡p Imcyw a\Ênembn. Fsâ DÅn Hcp Ipfncv. Rm³ Nncn¨p. Iaesb t\m¡n aqfn....."Dw......" .

"Iffm......hm....." Iae Fsâ I¿n ]nSn¨psIm­v [yXnbn \S¶p. ]n¶oSv, Fs¶ hen¨psImണ്ട്­v HmSpIbmbncp¶p Iae. Hcnf¡hpw InepInemNncnbpw. B Xnc¡nsâbpw NncnbptSbpw Imcyw F\nbv¡p ]nSnIn«nbnÃ.

CSs¯m­nepsS R§Ä \S¶p. c­p XncnhpIÄ Ignªv CSs¯m­n \n¶v പണ്ടാരത്തിന്റെ ]d¼ntebv¡p Ibdn. \¶mbn ]SnIÄ sh«nh¨ncp¶p. AXn\mÂ, Iaebv¡p ]n¶mse Rm\pw ]SnIÄ NmSn¡bdn. പണ്ടാരത്തിന്റെ apäs¯¯nb R§Ä AhnsS \n¶p. B ho«p apäw \ndsb Xg¸mbIÄ hncn¨ncn¡p¶p. FÃm¯nepw ]¸Sw \nc¯nbn«p­v. DW§m³. sNdnb ]¸Shpw henb]¸Shpap­v. Cdb¯v പണ്ടാര IpSpw_w apgph³ ]¸Sap­m¡p¶ Xnc¡nemWv.

"Dw...." പണ്ടാc¯n \o«n aqfn tNmZn¨p, IaetbmSv. "]¸Sw Xcm³ A½q½ ]dªp......". Fs¶¡qSn I­XpsIm­mhmw, Aev]w Ifna«n ]­mc¯n tNmZn¨p.... "F{X ]¸Sw?".

"AdnbnÃ...AX½q½ ]dªnÃ.......".Iae ]dªp. F¶n«v Ft¶mSmbn.... "]dtªm?"Fs¶mcp tNmZyhpw. "F\n¡dnbnÃ......]dªn«ps­¶v ]dªtÃm?........." Fsâ hI hniZoIcW¯n\v ]­mc¯nbpsS Dds¡¨ncnbmbncp¶p adp]Sn. Ipd¨p kabw Im¯p \nÂt¡­n h¶p. ]¸Sap­m¡p¶Xpw t\m¡n Rm³ hcm´¯qWpw Nmcn \n¶p. t]mcm¯n\v ]­mc¯nbpsS aµ_q²nbmb aIÄ hcm´bn¯s¶ ]Sªncn¡p¶pþ \m¡pw \o«n I®pw Xffn. Iae apä¯p \n¶tXbpffq. CSbv¡nSbv¡v apJs¯mcp ]p©ncn an¶n adbp¶Xp ImWmambncp¶p.

]­mc¯n ]{X¡SemÊn s]mXnªp X¶ HcpsI«p ]¸Shpambn Iae ap³t] Cd§n, Rm³ ]n¶msebpw. apähpw IS¶v ]SnIfnd§n ho­pw CSs¯m­ntebv¡v. C¯hW Rm³ ap¶nepw Iae
]n¶nepw. ho«ntebv¡pff hgnbneqsS R§Ä \S¶p. Ipd¨p \S¶t¸mÄ Iae ]dªp, "hm \ap¡nXnte t]mImw......"asämcnS¯nte¡p Xncnªv Iae \S¶p. At¸mÄ Rm³ ]n¶nembn. ]s£ Ft§m«mWv. "\½sfhnsS t]mIphm, CXnte....." Rm³ IaetbmSp tNmZn¨p. "hm....]dªp Xcmw......"Xncnªp t\m¡ns¡m­p Iae \S¶p.

Ipd¨pIqSn \S¶v ho­pw CSt¯m«p Xncnªt¸mÄ F\nbv¡p ]cnNbapff Øew. IaebpsS hoSnsâ ap³hiw. "hm......."Iae ]dªp. hgnbn \n¶pw ho«p apät¯bv¡v Ibdp¶nS¯v XSnbgn bpff Hcp hmXn (tKäv) h¨ncp¶p. hmXn XÅn¯pd¶v Iaebpw ]n¶mse Rm\pw apäs¯¯n.

IaebpsS hoSv Hme taªXmWv. Hcp sIm¨p ap³Xn®bpw, c­p apdnIfpw ASp¡fbpw. FÃmw NmWIw sagpInb \nehpw `n¯nIfpw. BsI Ccp«p \ndª apdnIÄ. ap¶n apähpw NmWIw sagpInbncn¡p¶p. sX¡phi¯v ]i¡qSp­v. AXn c­p saenª ]ip¡fpw. ]Snªmdphi¯v hoXnIpdª Hcpapäw. ]n¶nepff I¿me Hcp adbmbn«p­v. Hme sIm­p ad¨ Hcp Ipfn¸pc I¿metbmSp tNÀ¯psI«nbncn¡p¶p..

aq¸cpw aq¸¯nbpw Hs¡ ho«nse¯m³ sshIpw AXpsIm­v BcpanÃnt¸mÄ þhcm´bntebv¡p Ibdnb Iae ASp¡f hmXn Xffn¯pd¶p, AIt¯¡p t]mbn. Rm³ Xn®bn¯s¶ \n¶p. Iae Xncn¨ph¶v Fs¶ ssIIm«n hnfn¨p. Rm³ ASp¡fbnte¡p sN¶p. Iae asämcp IXIp Xpd¶v ]n³`mKs¯ apät¯¡nd§n. ]n¶mse Rm\pw.

Iae Ipfn¸pcbnte¡p IS¶p. Rm³ ]pd¯p Im¯p \n¶p. Hcp ko¡mc i_vZw, Aev]t\cw, ]ns¶ shffw HgpIp¶ i_vZhpw. Ipfn¸pcbntebv¡v IS¶p t\m¡Wsa¶v Rm³ hnNmcn¨p. ]s£, AXn\p ap³]p Xs¶ ]pdt¯¡p h¶ Iae ]mhmS XmgvXp¶tXbp­mbncp¶pffq. ssIIÄ ]n¶n \n¶pw hens¨Sp¯Xv ]pdt¯bv¡phcpt¼mgmbncp¶p. Hcp Iff¨ncntbmsS Iae FsâbSp¯p h¶p. "apfftWm?...." Iae tNmZn¨p. F\nbv¡p thWsa¶p tXm¶n. "Dw...." Rm³ aqfn.
"Zm...AhnsS..."Iae Ipfn¸pcbntebv¡p ssI Nq­n. Rm\Xntebv¡p \S¶p Ibdn. \nes¯ms¡
shffw InS¡p¶p. AcnIneqsS Hcp NmÂ, AXneqsS shffw AÂ]ambn HgpInt]mIp¶p. c­p henb ]c¶ Icn¦ÃpIÄ \ne¯n«n«p­v, Aev]w DbÀ¯n. Ahbn Nhn«n \n¡mw. BsI Hcp aq{X KÔw. Hmeadbn Hcp tkm¸ps]«n XncpIn h¨ncn¡p¶p. Hcp apjnª tXmÀ¯pw c­p aq¶p XpWn¡jW§fpw adbn Xq¡nbn«ncn¡p¶p. Hcp henb \mIw ]qinb Ccp¼p sXm«nbn \nd¨p shffw. Hcp henb IhnSnsNcphhpw AXnen«ncn¡p¶p.

Icn¦Â X«n Rm³ Ibdn \n¶p. \n¡À DbÀ¯n, Ip«s\ _Ô\ hnapà\m¡n, aq{Xw HmhpNmentebv¡v \o«n hn«p. sXm«p ]n¶n A\¡ap­mbt¸mgmWv Iae Fsâ ]n¶neps­¶p Rm\dnªXv. Hcp \nanjw Hgp¡p\ns¶¦nepw Rm³ iàn]qÀhw IÀ½w XpSÀ¶p. Iae ]n¶n t\m¡n \n¶p. Hgp¡p XoÀ¯ Rm³ \n¡À Xmgv¯nbn«p. ]pdt¯¡nd§m³ Xncnªp.

"XoÀt¶m?......"Iae sXm«p ap¶n \n¶p tNmZn¨p. "Dw......"

"tImWIw icnbm¡ntbm?....CÃtÃm....t\m¡s«....."Iae Fsâ \n¡dn IS¶p ]nSn¨p. Hcp Imensâ `mKw s]m¡n t\m¡n. ]pd¯mbncp¶ Ip«s\ I­v Iae Ft¶mSv ]dªp "icnbm¡v...."Rm³ ]nt¶m«p Xncnªp \n¶p. \n¡dneqsS ssIbn«v Ip«s\ icnbmbn hbv¡m³ {ian¨p. 'A§s\bÃ......hm.....Rm³ icnbm¡mw......"Iae Kuch¯nembXpt]mse. Fs¶ ]nSn¨p Xncn¨p \nÀ¯n. \n¡dnsâ _«\pIÄ Agn¨p Xmgv¯n. heXp ssI\o«n ]n¶n AcªmW¯n tImÀ¯ sI«gn¨p. ap³hiw t\scbm¡n AcªmW¯n aS¡p icnbm¡n. F\nbv¡msI Fs´m¡tbm Hcn¡nfn. FhnsSsbm¡tbm Hcp s]cp¸v. Iae Ip«s\ AaÀ¯n¸nSn¨v B ]hn{X hkv{Xw Imen\nSbneqsS ]n¶ntebv¡p hen¨p Aäw AcªmW¯n Npän apdp¡n. c­masXm¶p tImÀ¯p Npän. ]cnkct_m[w \jvSs¸«v Rm³ A\§msX \n«p. \n¡À hen¨pbÀ¯n _«\pIÄ IaeXs¶ C«p. "........Dw........C¸w icnbmbn.....". Rm³ Iaesb t\m¡n. Iae Nncn¨p. B C¡nfn¨ncn. F¶n«v Fsâ Ihnfn hncepIfaÀ¯n. c­p Ihnfnepw amdnamdn.

Iae ]pdt¯¡p \S¶p, Rm³ ]n¶msebpw. hmXneS¨v Ipänbn«v;apät¯bv¡nd§n. ]SnIS¶v ho­pw CSs¯m­nepsS ho«ntebv¡v.

"\msf..........F\nbv¡v Ip«³ hnjpss¡ \o«w Xcptam?....."au\w `RvPn¨psIm­v Iae Dds¡ tNmZn¨p.
\msf hnjphmsW¶pw hnjpss¡\o«w In«psa¶pw Rms\m¶pIqSn Fs¶ HmÀ½n¸n¨p.

"F\n¡p In«nbm Xcmw...." Rm³ Kuchambn¯s¶ ]dªp.

"In«mXncn¡pthm?......"Iaebv¡p kwibw"In«mXncn¡nÃ.............F¶mepw Ip«³ ]nip¡\m......... F\n¡dnbmw..........."XpSÀ¶pw Iptdt\cw Iae ]dªp sIm­ncp¶p. ]n¶oSv, Gsd au\¯n\p tijw, ho«ntebv¡pff ]SnIÄ Ibdpt¼mÄ, BßKXw "B..........Rm³ hm§nt¨mfmw........." Iae]dªsXs´¶v At¸msf\nbv¡p a\ÊnembnÃ.




{ Sorry for the mutilated text . Shall repost the story ..)

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